Cold light buzzed overhead like flies that couldn’t land. His bowl was half full of stale kibble, swollen and soft from the water drip that no one fixed. He didn’t eat it. Not anymore. Hunger had become background noise.
Just like the barking.
He was old now. His bones curled tight into his ribs like he was trying to disappear from the inside out. One eye clouded, both ears ragged. His fur had once been bright and golden—like his bark, his goofy smile, his adorable, clumsy toddle-hops everyone had loved.
Sprig, they had called him, smiles all over their faces, all the way into their eyes. Like a young, soft little branch that would one day grow into a tall, towering tree. Able to protect. A resting place—something they’d like to sit with. Cuddle in the sun. Share snacks.
Sprig meant belly-rubs, and sun-warmed porches. It was ear-scratches, chin-scratches, and giggles when he slipped on linoleum chasing a sock.
They didn’t call him that anymore.
They called him Kennel 7.
Just a hiss of breath, a muttered curse when he started barking again. He didn’t blame them. Not really. They didn’t see it.
They never saw it.
None of them.
Not even the tiny ones. The ones that were Sprig, too, just on two legs, and not four like him. Like her, the first one from so many.
The one with the little, red boots.
His girl. His everything.
She smelled like strawberries and crayon wax and loved to press her whole face into his fur like it was the best place in the world. She was the one who named him Sprig—with her whole chest, as if she’d invented the word.
She used to wrap her arms around his neck and whisper things she was too shy to say to anyone else. Dreams. Fears. Silly songs. He’d listen with his whole body. He would have followed her anywhere.
And he did.
That day, they had taken her (and him) to the museum. He had never been to one before that. And afterwards, he hadn’t really had been much happy to return to one. But his little girl with the red boots had loved them.
So Sprig had loved them, too. Just for her.
A museum had a lot of things—but not much fun ones. Paintings. Tall stone humans. Less tall stone humans. Toothy things. No chew toys. No sun-drenched porches. No linolium floors to chase socks.
But little human Sprig had loved it. Sitting on a bench in front of things, staring at them.
That day, he hadn't seen it either. It had been his first time.
It had crept its way there—salt in the air, slow like a rising tide in a room with no sea. He hadn’t noticed it, not at first. There had been too much other: the harsh shoes squeaking on waxed floors, the strange echoes, the scent of so many humans. Tiny ones. Tall ones. Angry ones. Sad ones. There’s been snacks and food smells, too. He loved bacon. And eggs. And cucumber. And watermelon.
He had tried to stay where she was, watching her. Because the taller humans who were always with little human Sprig weren’t very good at watching anything but the small rectangle in their hands. Or themselves in mirrors.
He loved when she sat on benches.
Because then she couldn’t run anywhere else. And she did that funny thing with her legs—the little red boots swinging from the edge of the bench, her hands clutching a juice box too tightly, a drop of it sticky on his fur from where she’d hugged him earlier. She had pointed at a painting of a sleeping woman, then at one of a bird with too many eyes, and whispered something into his ear that he didn’t understand but loved anyway.
He hadn’t noticed when the lights dimmed just a little. Hadn’t seen the puddle of brine spreading slowly across the marble floor. He had noticed when she stood up, without saying a word. She walked, red boots clicking gently, toward a hallway they hadn’t come from.
He followed, of course. To a painting bigger than any he had ever seen before. Which was not hard. He had never seen many of them before.
But this one was massive.
The sea inside it thrashed, violent and grey. The frame looked carved from bone—or driftwood—or something like a bigger Sprig—a whole tree. There was a smell he didn’t have a word for. Then again, sometimes there were many things he didn’t have words for.
The paintings had noises, too. Noises the sea made. And old wood made. And wind. And a bell.
Little red boots had tilted her head. So Sprig had tilted his head, too. And then. Then there was another thing. Small at first. At the edge of the painting. A small, black dot. Then a bigger small, black dot. And then a really big, small, black dot.
A ship, his red-boots girl had called it. He’d never seen a ship before either. And he never liked them after.
The ship was still far. A smear of dark.
They still had their heads tilted when she reached out, a mittened hand moving toward the canvas. And then she was gone. No splash. No scream. Just gone.
Like someone had forgotten to write her into the next second of his life.
And then the painting was empty again. Just water. No ship. Just briefly, before it vanished, he spotted humans on it. But none of them had faces.
Just smears for faces. Golden ones.
Golden like his fur. Like belly-rubs, and sun-warmed porches, ear-scratches, chin-scratches, giggles when he slipped on linoleum chasing a sock, and sneaky snacks underneath the dinner table.
He stared for a long time after she vanished. Long enough that someone had to come looking.
They called her name. First quiet, then louder. Then all at once, the museum was teeth—sharp voices, running shoes, radios hissing static like wind across deep water.
Sprig sat perfectly still.
In front of the place where she had been.
He looked and looked. Maybe if he waited long enough, she’d come back. Maybe if he was good.
A man tried to pull him away. Sprig didn’t move. The man shouted. Another came with a leash, tugged hard. Sprig whined then—just once—and took one last look at the frame, which was now just a blank wall.
A blank hallway.
A blank space.
They led him away. He kept glancing back, even when the doors closed.
Home was different now.
Home still was where the rug was he used to nap on, and it still had the blanket he liked to steal from the couch, and there still was the laundry basket he’d curl into when no one was looking.
But there were no belly-rubs. No ear- and chin scratches. No sneaky snacks.
For a long time.
And when he was in the car again—hoping not to go to a museum again—no leash, his favorite chewing toy next to him, and his blanket—one with strawberries and squiggles—wrapped around him, he wondered if it was time for the vet again.
Or maybe … they had found her.
It was neither.
Neither but a new home. One all metal and barking.
Cold, like mornings without sticky-hand hugs.
He was led through doors that shut behind him with a hiss, and placed into a box that smelled too sharp.
For a long time, he waited there in the box.
He watched every set of legs that passed. Listened for the voice that called him Sprig. Watched for red boots, bouncing just ahead of him on a sidewalk.
But no one came. And no one called.
The tall humans hadn’t meant to be cruel, he knew that. Had heard the others talk about it. They just… didn’t know what to do. They had lost little Sprig, and he was the last thing of hers left. And he looked at them like he was still waiting for her.
And they couldn’t bear it.
So they left him here.
Where the lights buzzed like flies.
Where the floors never warmed.
Where no one ever said his name.
Where he wasn’t Sprig but Kennel 7.
Sometimes, briefly, there were moments when he was Sprig again.
When families came by and saw something kind in his eyes. Or pity in their own. Or a challenge. It didn’t matter much. He was glad to be Sprig again. Sometimes briefly. Sometimes longer. But each time, Sprig followed with hope bundled tight in his ribs.
Maybe this time. Maybe this family. Maybe love again, just for a little while.
The first had a boy. Tennis-ball laugh, pockets full of crackers. He threw things that Sprig brought back, over and over, his tail wagging like it used to, like he remembered.
And then the painting came.
Not on a wall this time.
It leaned in a hallway that hadn’t been there the day before. Dripping. Salt pooling on the hardwood. A bell, soft as breath. The boy walked toward it. Sprig panicked. Bit down on the sleeve. Dragged. Barked so hard it split his voice.
He pulled the boy to the floor, away—please away—before the ship could round into view.
The father pulled him off. The mother screamed. There was blood. Not much. But enough.
So back to Kennel 7. Tag rewritten in darker ink.
The second home smelled like sugar and fireplace ash. A little girl fed him sneaky cheese slices. Sprig loved them. The slices. The family. The home.
When the painting came—just the sea this time, no ship yet—he stood guard. Sat in the hallway for hours, unmoving. Growled. Barked when they neared it. Blocked the mother from walking too close. Bit the father’s pants leg when he tried to enter.
They didn’t see it. But Sprig did. And he wouldn’t let them near. So they took him back.
And Sprig was Kennel 7 again.
The girl cried when they pulled her away. Sprig cried, too.
Then a woman. Alone. Quiet hands. A warm lap. They watched TV together. She called him sweet baby. She made pancakes on Sundays. She gave him his first pup-cup. He loved pup-cups.
The painting showed up in the bathroom mirror. Sprig shattered it trying to scare the sea away. Cut his mouth on the glass.
She screamed. Thought he’d gone mad. Back to Kennel 7.
Again.
There were others.
A boy who stuttered. A tired man with too many books. A pair of twins who liked to wrap him in blankets and pretend he was a burrito.
Each time, the sea returned. Each time, the painting found them. Each time, Sprig tried…
To bark.
To block the hallway.
To drag them away.
And each time, they only saw a bad dog. The bruises. The blood. The broken vases.
They didn’t see the smears-for-faces watching from the deck of that faraway ship.
Golden. Glowing. Hollow.
They didn’t see the moment just before the mast came into view.
But Sprig saw. He always saw.
By now, the red tag on his kennel door was so faded with rewriting it looked like a stain. Just like Sprig felt. He was slower now. His back legs stiff.
He didn’t bark as much anymore. He’d given up on toys.
Even the chew bone in the corner was pristine from not being used.
But he watched the hall. Sniffed for salt. Waited for the bell. He didn’t want a family anymore. He just wanted to be Sprig again. Not Kennel 7.
Just once more.
Everything felt far away now. His thoughts, his paws, the familiar echo of other dogs barking in other cages. Even the cold didn’t bite as much anymore—it just was. Sprig had curled himself tight again, the way he always did.
A quiet knot of bones and thinning fur, nose tucked beneath a trembling tail. He hadn’t moved all morning. Not when breakfast came. Not when the mop passed by. And not when the footsteps approached.
Not the loud kind. Not the sharp kind, or the kind with jangling keys.
These footsteps were soft. Like back then.
Like little, red boots.
And when the latch clicked open, it did so quietly. Like it didn’t want to startle him.
The air shifted. Warm, where it should’ve been cold.
Then—hands.
Not like the others. They didn’t grab or fumble. They rested. One beneath his chin. One behind his ears. The touch was soft, not like cloth, not like skin, but something else entirely.
Sprig didn’t flinch. He leaned in. The warmth spread through his chest like a fire made only for him. His tail thumped—weakly at first, then stronger, then in full wagging arcs that scraped the floor of Kennel 7.
He hadn’t meant to cry. But something inside him spilled anyway. Not tears, not really. Just wetness behind his eyes, behind his breath, behind every part of him that had waited too long to be held like this. It had been so long since he had been touched with love.
The figure crouched beside him now wasn’t like the others. Not a worker. Not a visitor. The shape was all wrong. The fingers too long, like roots. The cloak moved as if under water, slow and heavy, but it didn’t scare him.
Nothing about the figure scared him.
He looked up, one clouded eye meeting something that wasn’t quite a face—but wasn’t empty either. There were stars behind it, maybe. Or just cheese slices. Strawberries, maybe.
“There you are,” said the voice. Not loud, not in sound, but directly into the space behind his ribs. “And aren’t you such a good boy.”
Sprig let out a small whine. Pressed closer.
A breath left Sprig’s lungs and didn’t come back.
But he didn’t notice.
The hand was still there, scratching gently beneath his jaw. His tail gave one last slow wag. He could feel the sun again. Warm grass. Her arms around his neck. Sticky-hand hugs. Swinging little, red boots on a bench.
And then he was running toward her, legs strong, ears bouncing, faster than he’d ever been. He didn’t hurt anymore. He barked—all golden and bright—when she scream-giggled his name.
“SPRIG. MY SPRIG!”
A worker found his body that afternoon. Curled gently, like he was still asleep. Eyes half-lidded. Mouth parted just a little, as though he’d been smiling.
They made a note on the file: Deceased – Natural causes. They didn’t notice the puddle just outside the kennel door. Not bile, blood or urine.
Water.
Just a little. Like sea spray.
Like somewhere, far away, a storm had finally passed.
i HATE you, Asteria. this is possibly the saddest thing i've ever read and there's a lump in my throat and water might leak out of my eyes any second, which Cannot happen because there's too many people around 😭 i love this so so so so much.
It tries to warn you, but still you cannot look away; glued to every word.
Not sure I can write well enough to even adequately describe how good this is, so for now I'll just go with incredible.